Special feature articles

About Rei – Part 2 by Nakamoto Masahiro
2020.12.22

 Bu “starts with Rei and ends with Rei”

 If you put this in practice in your daily life, it will lead to the best of life. It is important to respect and esteem others. Regarding etiquette, "Rei” is not just about bowing. It is a form of prayer for the success and safety of a demonstration, a way of expressing gratitude to the past masters who devised the kata of martial arts, to the audience, to the performance venue (living thing that is the wood that forms the walls and atmosphere), to the weapons we use and to the people who are performing with us.

 When you wake up every morning and say hello to your family, students, fellow students or teachers on their way to school, friends and acquaintances that you meet along the way, the other person will also reply. While living a social life, this leads to a smooth, calm and peaceful life.

 Shitsurei (as in “excuse me” or a lack of gratitude) means to ignore the other party. "Kiri-sute gomen" - In the Edo period, there was a time when cutting down general commoners, tradesmen, and peasants who behaved rudely towards the samurai class would not be blamed. In all human relationships, the role of "respectful morale" is huge. Originally, the ultimate goal of Japanese martial arts resided in one point: "Uyamau (Kei)" meaning “respect”.

 The old form for the character “Rei” has the meaning of offering sake to the gods. According to the Kadokawa dictionary on the origins of characters, there are: 1) Courtesy (Etiquette / Festival), 2) Ceremony (Dress code / Ceremony of proclamation of a Crown Prince), 3) How to show respect toward others (Rudeness / Impoliteness), 4) Gratitude; Expressing gratitude (Thank-you note / Remuneration) 5) Bow. Greetings (Worship / Eyes greetings) are mentioned among others.

 When performing karate and kobudō, make sure to bow at the beginning and end of the performance. Bu or martial arts begins and ends with a bow, as a sign of courtesy and gratitude. We all have been strictly taught in this way. Rei is also a form of prayer that calms the heart, nurture a strong force and leads to realization. If you forget Rei, you will soon feel powerless. It is said that “A warrior dies for someone who knows him” (‘Historical records’). To know is to believe, and to always show gratitude should become a daily custom.

 

 Okinawa Prefecture designated intangible cultural asset holder for “Okinawa Karate and Kobujutsu”

 Chairman of the Okinawa Traditional Kobudō Preservation Society Bunbukan HDQRS.

 Nakamoto Masahiro

 82 years old

 

Part I is available here

Okinawa Karate “WA” Series
2020.11.17

 Many dōjō within the Okinawa prefecture have resumed their training. But in the midst of the Covid-19 pandemic, international karate enthusiasts still cannot visit Okinawa. In order to meet their demands, our information center has launched a new project titled “Okinawa Karate ‘WA’ Series”.
 With the cooperation of instructors who have welcome and taught visiting karateka introduced by our center since its opening in 2017, we present you some videos showcasing the essence of Okinawa karate.
 The title of the series, "WA" is usually understood as harmony. However, we chose a Japanese character meaning “to circulate, to surround, to go around,” with the hope that the martial art of Peace that is Okinawa karate will bring peace worldwide. "WA" is also an acronym for the words “Word” and “Action”, the concept on which this series is based.
 Through this project, we hope to bring some encouragement to karate enthusiasts all over the world to keep training until they can come to Okinawa. We will update this page regularly, so please visit us frequently!

 

Shuri Tomari Te systems (Shōrin-ryū)

1. Kakie, Shōrin-ryū - Higa Minoru sensei

 

2. Gedan-barai, Matsubayashi-ryu - Taira Yoshitaka sensei

 

Naha Te (Gōjū-ryū)

1. Sanchin, Gōjū-ryū Ikemiyagi Masaaki sensei (ODKS Head of secretariat)

 

Uechi-ryū

1. Hojo undo (auxiliary exercise), Shimabukuro Haruyoshi sensei

 

Kobudō

1. Nunchaku, Kobudō Nakamoto Nasahiro sensei

About Rei – Part 1: Mabuni Kenei
2020.10.05

 The article below written by Mabuni Kenei sensei, son of the founder of Shitō-ryū Mabuni Kenwa sensei, is part one of a series of two articles relating to Rei.

 Rei can mean “to bow” as in “Shomen ni rei – Bow to the front”, but also translate as gratitude, etiquette and proprieties as in “Shurei mon”, the Gate of proprieties at the entrance of Shuri Castle.

 Part two is an article written by Nakamoto Masahiro sensei, intangible cultural asset holder for Okinawa karate and kobudō as designated by the Okinawa Prefecture. (Coming soon)

 (Photo courtesy from Mr. Sam Moledzki, President, Karate-do Shito-Kai Canada)

 

********

Mabuni Kenei

JKF Central Qualification Examiner

 

 In all martial arts, sports, and in daily life, one of the most important things is “Rei.”

 It is the same in karatedō. It is the most important matter, the first thing to be learned. Rei is not simply a formal lowering of the head, but a method of first correcting one's heart when facing someone, and then correcting one's posture to give a bow.

 As for Rei, there is no problem for us Japanese people, but I was made to think about it by some foreigners.

 At a dōjō in Central and South America, all the seniors and students lined up to perform Rei at the beginning of the lesson. As all of them were sitting upright in "Seiza", they prepared to bow on the command “Rei”. So far, it was very good but the essential aspect of "Rei" was wrong. All kept their hands on their knees and just knocked lightly their heads down. As all the students were enthusiastic and praiseworthy, I couldn’t understand what happened so I asked the seniors. I thus found out that the Japanese teacher who had been teaching before was so doing when being bowed to by the students. I think that if both the teacher and the learners had corrected their minds first, they would never have done this kind of bowing. (1)

 Another episode that happened in a city. It was decided to hold a karate demonstration with the students of a university in this area. The venue, the gymnasium was soon overcrowded with the crowd that had come early. The space where we would perform was narrow, and the audience was only about two meters away from us. In the front row, women were sitting in chairs. If we sat in Seiza and “bow” toward the front as usual, it would inevitably be a respectful salute to the ladies. Somehow it didn’t seem correct. At that moment, I decided to stand in the front and executed a mutual bow with the students.

 In the case of bowing, as a custom, I thought it should not be done as a formality. If needed, the method should be considered depending on the place.

 In the demonstration of karatedō kata, there are also some movements that express Rei. These moves are aimed at warning against pride, and when performing in front of a large crowd, as our masters and seniors look upon our performances, we ask for their future guidance. The lessons of karate are "Karate ni sente nashi – There is no first attack in karate" and "Kunshi no ken – A gentleman’s fist”. These saying mean to train the fists and feet silently, to never hurt people and always treat people with a gentleman's attitude. In this way, the true purpose of karate is to cultivate a noble character and attitude by respecting etiquette.

 

  Published in the Karate Shinbun Issue 93

  Tenbōsha column

  Publisher: Karate Shinbun Corporation

  Date: March 20, 1977

 

Note:

(1) the proper way to execute Rei when kneeling:

From seiza (kneeling) with your hands on your thighs, facing the front of the dōjō, place first your left palm and then the right palm on the floor in front of you and then keeping your neck in alignment with your back bow. After a short pause, and after the instructor has completed his/her bow, raise again to the seiza position, retracting first your right hand and then your left placing them on your thighs.

1969 article on master Yagi and Sūpārinpe
2020.06.19

Okinawa Kōkai no Yūbe
National special invitation exemplary demonstration (Part III)

(Published on September 23, 1969)

Striving to spread karate

Yagi Meitoku Hanshi (Gōjū-ryū Meibukan)
Sūpārinpe

 

 When Mr. Yagi was told that he had passed entrance to middle school (Nicchu) (1), he was immediately taken by his grandfather to become a student of Gōjū-ryū Miyagi Chōjun sensei. His grandfather had studied kanji and karate in the province of Fujian, China. Since he was a descendant of Jana Uēkata who was well versed in the pen and the sword, his grandfather believed that martial arts were compulsory and Mr. Yagi was forced to learn karate.

 Mr. Yagi received tuition from the age of 14 years old until after the war, when Miyagi was still alive. Miyagi sensei was a very strict person, and rather than teaching karate at the beginning, he had people sit and listen to him for one to two hours. As this was both mentally and physically difficult, it is said that not many students stayed for a long time. However, it was the master’s principle to teach only the ones who would keep up with him.

 Since being in fourth grade at Nicchu, Yagi Hanshi instructed students at a club in Kume district, and after the war he has worked on popularizing karate teaching at the Budō hall of the Customs office. Currently, he has built the Meibukan in his home in Kume district and is working on nurturing the successors of Gōjū-ryū.

 Yagi Hanshi will demonstrate Sūpārinpe that he learned from Miyagi sensei. In kanji, this kata’s name is written “One hundred eight hands” and is also called hyaku hachi no te (108 hands). By the way, the watch-night bell also rings 108 times. As Goju-ryu's Sūpārinpe is the last kata to be taught, it is a kata learned by 5th dan and higher people. It is a long and very sober kata which doesn’t have the flashiness of Kūsankū or Passai.

 Yagi Hanshi said, “I have shown this kata to mainland Japan’s Gōjū-ryū dōjō as I had filmed it with an 8 millimeter camera, but with the coming special demonstration at the Nippon Budōkan, I wish to perform in front of many karate people and it would be great if it could serve as a reference for Gōjū-ryū.”

 Vice Chairman of All Okinawa Karatedō Federation, Gōjū-kai Chairman, from Kume district, Naha City, 57 years old.

 

 

Notes:

(1) Nicchu was the 2nd middle school of the Okinawa Prefecture, while Icchu was the 1st middle school. They are respectively today’s Naha Senior High School and Shuri Senior High School.

 

1969 article on master Higa and Passai Dai
2020.05.22

Okinawa Kōkai no Yūbe
National special invitation exemplary demonstration (Part III)

(Published on September 23, 1969)

 

Performig with pride

Higa Yūchoku Hanshi (Shōrin-ryū Kyūdōkan)
Passai Dai

 

  Although Higa Hanshi is a robust type of man, when young he was stooped and weak. Then, at the age of seventeen, he was introduced to his father's friend Mr. Shiroma Jirō and started karate to develop physical strength. After receiving tuition from Mr. Shiroma for five years, he also received guidance from Shinzato Jin-an sensei of Gōjū-ryū and Miyahira Seiei sensei.

  After the war, having had his kata Passai Dai and Naihanchi Sandan checked by Chibana Chōshin sensei, he became a student at Chibana sensei’s. While Higa Hanshi received guidance of Gōjū-ryū before the war and Shōrin-ryū after the war, even today his use of the waist and his way of stepping among others are filled with Gōjū-ryū’s blood. The Passai Dai that Higa Hanshi will perform is Chibana sensei’s specialty. Higa Hanshi is also eager to proudly perform at this performance.

  It is said that this Passai Dai was created by Matsumura Sōkon sensei, who served as an instructor during the Ryūkyūan dynasty. It is a representative kata of “Shurite”. It is said that at his time King Shō Kō (Buddhist Lord) (1) also exerted himself in the training of Passai Dai.

  Higa Hanshi has been working hard on researching karatedō for more than 40 years, and today, as the chairman of the board of the All Okinawa Karatedō Federation (2), he is also putting a lot of effort into nurturing the karate of the cradle. Higa Hanshi said, “Okinawa’s karatedō is in the spotlight of the world. However honestly, there are many worries about karatedō like the differences in styles and various complicated problems. Particularly, competitive karate, which is contrary to Okinawa's view on karate, is popular in mainland Japan. While we need to establish a firm direction for the future of karatedō, we also need to exert ourselves in strengthening our federation’s organization and strive for the sound development of karatedō.” Born in Wakasa district, Naha City, 59 years old.

 

Notes:

(1) On the monument in the graveyard of the Matsumura family is written “He served as a guard of the royal government for three generations, including the 17th King Shō Kō, the 18th King Shō Iku and the 19th King Shō Tai of the second Shō Dynasty. Although the character is different, it is probably King Shō Kō who served as king from 1804 to 1834.

(2) In Japanese, Rijichō of the Zen Okinawa Karatedō Renmei

 

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